Nika Neelova lives and works in London, UK.

Often utilising reclaimed architectural materials, Nika Neelova is interested in the way materials and architecture influence our sense of time and place. Bypassing straightforward means of fabrication, her work is concerned with finding modes of retrieving and revealing information that is already there and the multiplicities of histories concealed within in as a way of finding and imagining evidence of human pasts through inanimate things. The sculptures are often created by employing tactics of 'reverse archaeology' - considering an alternative reading of human history by examining found objects and architectural debris, and transforming them beyond functionality. In these works the human body and touch remains as a vestigial memory. Drawing arks between different time periods and disciplines the sculptures form part of larger cycles, temporarily arrested in their current form. Neelova attribute high importance to material transformations often inspired by the latent potency immanent in the materials. The sculptures are often focused on the conversions involved in translating existing objects into other mediums, decoding and recoding their purposes, enacting the processes that were used to shape them, altering their internal structures and liberating objects from their meaning. 

Education:

2011 MA Fine Art Sculpture, Slade School of Art, London
2008 BA Fine Art Interdisciplinary, Royal Art Academy, The Hague

Selected solo exhibitions:

2025 Cascade, Museum der Moderne Salzburg

2025 Through A Glass Darkly, Sir John Soane Museum London

2025 UMBRA Komunuma, Paris

2024 beghost, Nika Project Space Dubai, UAE

2023 thaw, Noire gallery, Turin

2023 Very Like a Whale, Santozeum Museum, Santorini

2021 SILT, Brighton CCA, UK

2021 Celine Art Project, Celine London

2021 One of Many Fragments. Edward Allington & Nika Neelova, New Art Centre

2021 [ъ] [ы] [ь] curated by Garage MCA at Voznecensky Tsentr

2019 EVER, The Tetley, Leeds

2019 GLYPHS, Noire Gallery, Turin

2018 DAMA curated by Domenico de Chirico & Giorgio Galotti, Turin

2018 DRIFTS (there is always ground, even at night), MLF Brussels

2017 Lemniscates, Independent, Brussels

2016 FAULTS / FOLDS / FALLS, Vigo Gallery, London

2014 I lean to you numb as a fossil. Tell me I’m here, Ron Mandos, Amsterdam

2013 Fragments Shored against the Ruins, Vigo Gallery, London

2013 Northern Taurids, Royal British Society of Sculptors, London

2011 Monuments, Charlie Smith Gallery, London

Selected group exhibitions:

2026 The World Without Us, Lentos Museum, Linz

2025 In Other Worlds: Acts of Translation, Focal Point Gallery & The Roberts Institute of Art, Southend-on-Sea, UK

2025 Dulwich Picture Gallery, The Lovington Sculpture Meadow

2025 EVERYTHING IS TRUE - NOTHING IS PERMITTED, Brutus, Rotterdam

2025 Lot’s Wife, Bolee & Workman, Bruton, UK

2025 Strings Attached, Chapter II. Pipeline, London

2025 Nomad Circle, Abu Dhabi

2025 “I miti dell’arte contemporanea” Fondazione Puglisi Cosentino, Catania

2024 Frieze Sculpture Park, curated by Fatos Ustek, London

2024 Blocks & Grids, Stephane Simmons gallery, Knokke

2024 Story yet to be told, Ortigia Contemporanea, Sicily

2024 Ordine e disordine, Noire gallery, Turin

2023 From Birth to Earth, Parafin, London

2023 Ephemeral Structures, Nika Project Space, Dubai

2023 (Everything is) Not What it Seems, Piran Museum of Visual Art, Slovenia

2023 Fragments of time unending, Nika Project Space, Dubai

2022 ECC Project, Chieri, Turin ECContemporary

2022 (Everything is) Not What it Seems, NITJA Museum, Oslo

2022 Flock, Bolee and Workman, Bruton, UK

2021 Not Painting, Copperfield London

2021 Frieze London with Allied Editions & Brighton CCA

2021 A-N 40th Anniversary x Slow Install, A-N Newsletter

2021 ‘Her Dark Materials', curated by Philly Adams for The Eye of the Huntress

2021 Contemporary Sculpture Fulmer 2021

2020 Frieze London with Osnova Gallery

2020 Special Projects, curated by Maria Abramenko, Cardi gallery London

2020 Back to the origins, curated by Domenico de Chirico

2020 Silence is so accurate, Geukens de Vil, Antwerp

2019 Hortus Conclusus, Fondazione 107, Turin

2018 She sees the shadows, DRAF & Mostyn, UK

2018 Prevent This Tragedy, Post-Institute London, UK

2017 XVII. The Age of Nymphs, curated by Daria Khan, Mimosa House, London

2017 Theatre of the Absurd, curated by Yasmin Atassi, Green Art Gallery, Dubai

2017 Seventeen with Yelena Popova, Code, Copenhagen

2017 The opposite of Now, Guest Projects, London

2017 Blue Seventeen, Osnova, WinZavod Centre of Contemporary Art, Moscow

2017 Seventeen, Centrala, Birmingham

2017 Leidenschaft, Museum Biedermann, Germany

2017 New Material, Art in Perpetuity Trust, Arts Council England, London

2016 Habitus, curated by Matthew Burrows, The Observer Building, UK

2016 A city without a sound, curated by Karina El-Helou, Averard Hotel, London

2015 Archeology and Architecture, Fondazione 107, Turin

2015 The Presence of Absence, curated by Paul Carey-Kent, London

2015 The Sky is a mountain, Kunsthal 3,14, Norway

2014 Brand New Second Hand, Vigo Gallery, London

2014 Lichtspiele, Museum Biedermann, Germany

2014 Warp and Woof, The Hole Gallery, New York

2014 The Crisis Commission curated by Laurence Sillars, Christie’s London

2013 Great Men Die Twice, Mario Sequeira Gallery, Portugal

2013 Gaiety is most outstanding feature of the Soviet Union, Saatchi Gallery

2013 White Nights, PERMM Museum of Contemporary Art, Russia

2013 The Future Can Wait, Victoria House, London

2012 Royal British Society of Sculptors Bursary Award Exhibition, London

2012 The Crisis Commission, Somerset House and Christie’s London

2012 Saatchi New Sensations and The Future Can Wait, Victoria House, London

2011 Reworking Memories, Group Show, Federica Schiavo Gallery, Rome

2011 Polemically Small, Torrance Art Museum, United States

2011 3 Worlds in 1, London International, Lithuania

2010 Saatchi Gallery and Channel 4’s New Sensations, Saatchi Gallery, London

Awards & residencies:

2024 Sir John Soane Museum Artist-in-residence, London

2021 & 2025 A_N Artist Bursaries

2020 Arts Council England Grant

2019 Arts Council England National Lottery Grant

2019 Fondation CAB residency Brussels, Bergium

2017 Syllabus residency Wysing Art Centre, UK in association with Studio

Voltaire, Spike Island Bristol, New Contemporaries, S1 Space, Eastside Projects

2015 Kunsthal 3,14 Residency, Norway

2013 Sculpture Shock Award & Royal British Society of Sculptors

2013 Villa Lena Art Foundation Residency, Tuscany, Italy

2012 Royal British Society of Sculptors Bursary Award, London

2011 Olga Roubinskaya Foundation Award

2011 The Land Securities Prize Award, London

2010 The Saatchi Gallery and Channel 4 New Sensations Prize, London

2010 Kenneth Armitage Foundation, The Fifth Annual Young Sculptors Prize


Publications & press:

2025 FAMM Female Artists of the Mougins Museum, France

2025 Parnass Magazine, 2/2025 Cascade by Paula Watzl

2025 The Observer, ‘The death of linear time’ by Naima Morelli

2025 Dulwich Picture Gallery winter 2025 issue

2025 Sir John Soane Museum Annual Review, winter 2025 issue

2024 Sculpture Magazine, International Sculpture Center,

Nov-Dec issue Continuous Return by Robert Preece

2023 Taccuini di farfalle e serpenti e l'eco delle meduse di Torino,

Olga Gambari for La Repubblica

2023 Art Focus. An artist who gives a voice to things by Christianna Bonin

2023 THE WICK Spotlight Sculptor Nika Neelova

2022 Wallpaper magazine, Jan issue. Celine Art Project, text by Dal Choda

2022 Canvas Magazine (print) Celine Show Room

2022 Design Dispatch French Elegance Defines Celine’s New London Flagship

2021 Parnass magazine, Dec issue, Sculpture in Focus

2021 Sotheby’s, The Celine Art Project by Harriet Quick

2021 Superfuture, Celine Art Project (online publication)

2021 Hyperbeast, Celine Art Project (online publication)

2021 Vogue Russia, Celine Art Project, text by Ekaterina Lantsmann

2021 Elle Decoration, ‘The Revolution of the Object’

2021 ‘The Refusal of Functionality’ text by Ivan Streltsov for Syg. ma

2021 ‘Seepages’ text written by Sophie J Williamson for Silt Brighton CCA

2021 [] как в слове “Зверь” text by Yulia Tikhomirova for Spectate

2021 Studio International, SILT text by Veronica J Simpson

2021 Art Fictions Podcast ‘Human Vessels’, in conversation with Jillian Knipe

2021 New Art Centre Podcast with Thalia Wood-Allington and Thomas Marks

2021 ‘The Great Oolite’ text by Lizzie Llyod

2021 Brighton CCA Podcast in conversation with Sophie Williamson

2021 Talking with Electricity, Chapel Art Centre

2021 ‘Unearthed:Eco-Visionaries’ by Kate Neave for Openlab.fm

2020 ‘Intuitive Geometries. Women making sculpture.' Yellowfields,

Text by Jennifer Dudley

2020 Yorkshire Sculpture International by Eamonn Maxwell

2019 Review of Ever at The Tetley, AfterView

2019 Nika Neelova at The Tetley, Art Viewer

2019 Review of EVER at The Tetley, Corridor8

2019 Glyphs, review, Art Tribune Torino

2019 Elle Decoration, ‘Part Home, part galley’ by Charlotte Brooke

2019 Glyphs by Luca Maffeo, FormeUniche formeuniche.org

2018 She sees the shadows, Mostyn gallery and DRAF

2018 An artwork for the end of the world by Chelsea Pettitt, Sculptor Vox

2017 Art Monthly Review of Seventeen Centrala Birmingham review

2017 this is tomorrow review ‘Seventeen’ Centrala Birmingham review

2017 Art Research Map, review of Independent Brussels 2017

2017 White Hot Magazine, review of Independent Brussels 2017

2017 AroundArt.org review of Blue Seventeen by Y. Ginsbourg.

2016 Sailing on Solaris, by Nick Hackworth

2016 Sculpture Shock Publication, RBS London

2015 Art and Religion in the 21st Century, by Aaron Rosen, Thames & Hudson

2014 100 London Artists, by Edward Lucie-Smith & Zavier Ellis

2014 Highlike Book, Electronic Language International Festival and

SESI publishing

2014 The Language of Sculpture, Crowood Press

2014 Aesthetica Catalogue, Artists Reviewed

2013 Gaiety is the most outstanding feature of the Soviet Union,

2013 Nika Neelova Short Feature Film, Crane TV

2013 Russian Art is Hot says the Saatchi, Huffington Post

2013 Interview Art and Surrender, Near East Magazine

2012 ‘Salvaged Memories’ Interview, Phaidon

2012 1883 Magazine Interview and exhibition review

2011 The Catlin Guide, Selected Artists

2011 ‘The moment before collapse’, Interview for K Magazine

2010 ‘Future art stars cause a New Sensation’, Exhibition review, Evening Standard

2010 3 minute feature film, Channel 4 & Saatchi New Sensations